xpressions as seemed to illustrate tions of ters. Emmeline did not take .

    Out of t a movement. Adeline urned ion. Still ed on ill  I inct impression sening to me. Even if tion  ; surned aeration in tate of animal unconsciousness, today : t of tain tension. As if sraining toory, yet still trying to give t slumber.

    I did not  o see t I iced anytinued to look as if I o Emmeline. I maintained tion of my face and voice. But all time I ening. I caug  not at all—from between ching me!

    It is a most interesting development, and one t I foresee erpin of my project here.

    t unexpected tor’s face c s o a dizzying s and present ted ne is in a  causes to s and dance about like t. I  optical effects, ped to lig t tion is rooted in t and rearrangement of ures caused me to stare at s, o ures , too, somet, cannot fat I cannot fathom.

    e stared at eacly .

    I . imes so tell  a book is not finisil it is finis move it,  it back in t came?  is t of leaving it on taircase?

    I ion he gardener.

    opiary is mending, and a ea and cs in tcimes I come across talking in lo not for  age I  since t is out of tion I am at a loss to explain  is. I taxed Mrs. Dunne , unanding about t part; I t t it  talk of not ters, co be killed, potatoes to be dug and talk so loed, and sold me it  lo all, at least not particularly so. “But you don’t alk lo is because shs.

    I ten all about tcil taking a  before lunc my c c or t all but spra under  as before. I stepped to